+Áñ°Üã±â
°«ÇÇÇøô ¾Û   ¼º°æ°øºÎ±³Àç  ¾î¸°ÀÌ ¹Ì´Ï¼­Àç  »õ½ÅÀÚ¼±¹°  Çؿܿø¼­  µµ¼­´ë·®ÁÖ¹®  ³ó¾îÃ̱³È¸ÀåÅÍ
  • Ȩ
  •  
  •  
  •  
  •  
 
¼º°æ¿¬±¸

¼º°æ±âȹ

A Long Obedience in the Same Direction - 20th Aniv. Ed   Discipleship in an Instant Society
¼Òµæ°øÁ¦ 
       
ÆÛ°¡±â
  
ÀÌ »óǰÀÇ ºê·£µå½ºÅä¾î °¡±â
(ÁÖ)ÄÉÀ̾¾ºñ¿¡½º ¢º
ÀúÀÚ : Eugene H. Peterson  |  ÃâÆÇ»ç : IVP(¿ø¼­) (:¹Ì±¹)
¹ßÇàÀÏ : 2000-06-30  |  (138¡¿210)mm 212p  |  9780830822577
  • ÆÇ¸Å°¡ : 22,100¿ø ¡æ 19,890¿ø (10.0%, 2,210¿ø¡é)
  • Àû¸³±Ý : 0¿ø (0.0%)
  • ¹è¼Ûºñ :  50,000¿ø ÀÌ»ó ¹«·á¹è¼Û
  • (Á¦ÁÖ 4,000¿ø / µµ¼­»ê°£ 4,000¿ø)
  • ~ ÃÖ´ë 3ÁÖ ÀÌÈÄ Ãâ°íµË´Ï´Ù.  
    ÃâÆÇ»ç Á÷Á¢¹ß¼Û (±¹³»¹è¼Û¸¸ °¡´É)
¹«ÀÌÀÚ Ä«µå¼³¸í
ÁÖ¹®¼ö·®  
±Ç  
 
³»ºÎÀ̹ÌÁöÀÔ´Ï´Ù. Å©°Ô º¸½Ã·Á¸é ¾Æ·¡ ±×¸²À» Ŭ¸¯Çϼ¼¿ä. ['' Æ÷ÇÔ ÃÑ 1 ÆäÀÌÁö]


<ÇÑ ±æ °¡´Â ¼ø·ÊÀÚ> ÀÇ ¿ø¼­ ...But the people I was around didn't pray the Psalms. That puzzled me; Christians have always prayed the Psalms; why didn't my friends and neighbors? Then I realized that it was because the language, cadenced and beautiful and harmonious, seemed remote from their jerky and messy and discordant everyday lives. But when these Psalms were first prayed and written by our Hebrew ancestors, they were every bit as jerky and messy and discordant as anything we experience today. I wanted to translate them from their Hebrew original and convey the raw, rough and robust energy that is so characteristic of these prayers. I wanted people to start praying them again, not just admiring them from a distance, and thereby learn to pray everything they experienced and felt and thought as they followed Jesus, not just what they thought was proper to pray in church. - 20th-Anniversary Preface .....
20TH-ANNIVERSARY PREFACE

1. DISCIPLESHIP
"What Makes You Think You Can Race Against Horses?"

2 REPENTANCE
"I'm Doomed to Live in Meshech"

3 PROVIDENCE
"God Guards You from Every Evil"

4 WORSHIP
"Let's Go to the House of GOD!"

5 SERVICE
"Like Servants... we're Watching & Waiting"

6 HELP
"Oh, Blessed Be GOD! He Didn't Go Off & Leave Us"

7 SECURITY
"GOD Encircle His People"

8 JOY
"We Laughed, We Sang"

9 WORK
"If GOD Doesn't Build the House"

10 HAPPINESS
"Enjoy the Blessing! Revel in the Goodness!"

11 PERSEVERANCE
"They Never Could Keep Me Down"

12 HOPE
"I Pray to GOD... and Wait for What He'll Say & Do"

13 HUMILITY
"I've Kept My feet on the Ground"

14 OBEDIENCE
"How His Promised God"

15 COMMUNITY
"Like Costly Anointing Oil Flowing Down Head & Beard"

16 BLESSING
"Lift Your Praising Hands"

A LONG OBEDIENCE
An Epliogue

NOTES
" I Thank God for A Long Obedience. It is pioneer message, first coming to us at a time when no one was talking about either 'long' or 'obedience."

- RICHARD J. FOSTER, author of Celebration of Discipine and Streams of Living Water

"It has been said today's instant society that evangelism has never been easier - it's discipleship that has never been harder. Eugene Peterson not only instructs us in his considerable wisdom about authentic discipleship, he helps us see the passion and excitement of living lives fully devoted to Jesus. and with the current torrent of interest in spirituality, his guidance on what constitutes genuine spirituality is pure gold."

-REBECCA MANLEY PIPPERT, author of Out of the Saltshaker

"There is a clean, bright rigor to honest life before God. Burnishing the language of the Psalms, Eugene Peterson makes that life sing like a taut wire. A long obedience is the only path of discipleship to Jesus, and this is a message we desperately need to hear and implement today."

-DALLS WILLARD, author of The Divine Conspiracy

"Words are weapons for good or ill, and Eugene H. Peterson uses them to wield the sword of Scriptureto pierce our minds and hearts. He is one of God's most gifted"

-JILL.P.BRISCOE, author of Running on Empty

"Into a world that does its best to deceive us into believing that everything chages, Gods speaking his unchanging Word. Ours is a time and a world that needs to hear in fresh ways all that word might mean if tells us all that he has heard about those fixed facets of that unchanging Word."

-MICHAEL CARD, recording artist
½Ã¸®Áî ¼Ò°³ | ¼¼Æ® | ¼¼Æ®³¹±Ç±¸¼º
¼¼Æ® »óǰÀÌ ¾ø½À´Ï´Ù.
ÆòÁ¡
À̸§
°ø°¨
ÀÛ¼ºÀÏ
´äº¯À¯¹«
¹®ÀÇ Á¦¸ñ
À̸§
ÀÛ¼ºÀÏ

µµ¼­¸íA Long Obedience in the Same Direction - 20th Aniv. Ed
ÀúÀÚEugene H. Peterson
ÃâÆÇ»çIVP(¿ø¼­)
Å©±â(138¡¿210)mm
Âʼö212
Á¦Ç°±¸¼º»óǰ¼³¸í ÂüÁ¶
Ãâ°£ÀÏ2000-06-30
¸ñÂ÷ ¶Ç´Â Ã¥¼Ò°³»óǰ¼³¸í ÂüÁ¶
¹è¼Û¹æ¹ý Åùè
¹è¼Û¿¹»ó±â°£ ~ ÃÖ´ë 3ÁÖ, [ CJ´ëÇÑÅë¿îÅùè ](À¸)·Î Ãâ°í ¿¹Á¤ÀÔ´Ï´Ù. (Åä/ÀÏ/°øÈÞÀÏ Á¦¿Ü)
   (°«ÇÇÇà Ãâ°í »óǰÀÏ °æ¿ì Á¦ÁÖ¡¤µµ¼­»ê°£Áö¿ªÀº ¿ìü±¹Åùè·Î Ãâ°íµË´Ï´Ù.)
¼ÒºñÀÚ º¯½É(±¸¸ÅÂø¿À)¿¡ ÀÇÇÑ ¹Ýǰºñ¿ë Æíµµ 3,000¿ø (ÃÖÃÊ ¹è¼Ûºñ ¹«·áÀÎ °æ¿ì 6,000¿ø)
û¾àöȸ°¡ ºÒ°¡´ÉÇÑ °æ¿ì »óǰ ¼ö·ÉÀϷκÎÅÍ 7ÀÏÀÌ Áö³­ °æ¿ì ¹× ÀüÀÚ»ó°Å·¡µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·ü µî¿¡ ÀÇÇÑ Ã»¾àöȸ Á¦ÇÑ »çÀ¯¿¡ ÇØ´çÇÏ´Â °æ¿ì û¾àöȸ°¡ Á¦ÇÑµÉ ¼ö ÀÖ½À´Ï´Ù.
±³È¯ ¹Ýǰ º¸Áõ Á¶°Ç ¹× ǰÀýº¸Áõ±âÁØ ¼ÒºñÀÚºÐÀïÇØ°á±âÁØ ¹× °ü°è¹ý·É¿¡ µû¸¨´Ï´Ù.
ÁÖ¹®Ãë¼Ò ¹× ´ë±Ý ȯºÒ ¹æ¹ý ¸¶ÀÌÆäÀÌÁö 1:1¹®ÀǸ¦ ÅëÇØ ½ÅûÇÒ ¼ö ÀÖÀ¸¸ç, ÆÇ¸ÅÀÚ´Â ÀüÀÚ»ó°Å·¡µî¿¡¼­ÀÇ ¼ÒºñÀÚº¸È£¿¡ °üÇÑ ¹ý·üÀÌ Á¤ÇÏ´Â ¹Ù¿¡ µû¸¥ Áö¿¬ÀÌÀÚ Áö±ÞÀÇ Ã¥ÀÓÀÌ ÀÖ½À´Ï´Ù.
A/S °ü·Ã ÀüÈ­¹øÈ£ 1522-0091
°Å·¡¿¡ °üÇÑ ÀÌ¿ë¾à°ü È®ÀÎ ¹æ¹ý ´ç»ç ȨÆäÀÌÁö ÇÏ´ÜÀÇ ÀÌ¿ë¾à°ü ¸µÅ©¸¦ ÅëÇØ È®ÀÎÇÒ ¼ö ÀÖ½À´Ï´Ù.
 ÀúÀÚ(Eugene H. Peterson) ½Å°£ ¸ÞÀϸµ   ÃâÆÇ»ç(IVP(¿ø¼­)) ½Å°£ ¸ÞÀϸµ  
¹è¼ÛÁ¤º¸

1. º» »óǰÀº ~ ÃÖ´ë 3ÁÖ, [ CJ´ëÇÑÅë¿îÅùè ](À¸)·Î Ãâ°í ¿¹Á¤ÀÔ´Ï´Ù. (Åä/ÀÏ/°øÈÞÀÏ Á¦¿Ü)
   (°«ÇÇÇà Ãâ°í »óǰÀÏ °æ¿ì Á¦ÁÖ¡¤µµ¼­»ê°£Áö¿ªÀº ¿ìü±¹Åùè·Î Ãâ°íµË´Ï´Ù.)
2. [ 50,000 ]¿ø ÀÌ»ó ±¸¸Å ½Ã ¹«·á¹è¼ÛÀÌ¸ç ¹Ì¸¸ÀÏ °æ¿ì ¹è¼Ûºñ [ 3,000 ]¿øÀÌ ºÎ°úµË´Ï´Ù.
   ( Ãß°¡¹è¼Ûºñ : Á¦ÁÖ 4,000¿ø / µµ¼­»ê°£ 4,000¿ø)

¹Ýǰ±³È¯Á¤º¸ ¹× ÀýÂ÷

1. »óǰ ÇÏÀÚ°¡ ¾Æ´Ñ ¼ÒºñÀÚÀÇ ´Ü¼øº¯½É ¶Ç´Â ±¸¸ÅÂø¿À¿¡ µû¸¥ ±³È¯/¹ÝǰÀº »óǰ ¼ö·ÉÀϷκÎÅÍ 7ÀÏ À̳»¿¡ ½Åû °¡´ÉÇϸç,
»óǰ ȸ¼ö ¹× ¹è¼Û¿¡ ÇÊ¿äÇÑ ºñ¿ë ¿Õº¹¹è¼Ûºñ [ 6,000 ]¿øÀº °í°´²²¼­ ºÎ´ãÇÏ¼Å¾ß ÇÕ´Ï´Ù.

2. °«ÇÇÇøô °í°´¼¾ÅÍ¿¡ ¹Ýǰ ½ÅûÀ» ÇϽŠÈÄ ¾È³»¿¡ µû¶ó ¹è¼ÛµÈ Åùè»ç¸¦ ÅëÇØ ¹ÝǰÇÏ½Ã¸é µË´Ï´Ù.
ºü¸¥ 󸮸¦ À§ÇØ ÁÖ¹®ÀÚ¸í, ¿¬¶ôó, ¹Ýǰ/±³È¯ »çÀ¯¸¦ ¸Þ¸ðÇÏ½Ã¾î ¹Ú½º ¾È¿¡ µ¿ºÀÇØÁÖ¼¼¿ä.

3. »óǰÀÇ ±³È¯/¹Ýǰ/º¸Áõ Á¶°Ç ¹× ǰÁú º¸Áõ ±âÁØ
   »óǰ¿¡ ÇÏÀÚ°¡ Àְųª ³»¿ëÀÌ Ç¥½ÃÁ¤º¸¿Í »óÀÌÇÒ °æ¿ì¿¡´Â ¹®Á¦Á¡ ¹ß°ß ÈÄ 30ÀÏ(´Ü, ¼ö·ÉÀϷκÎÅÍ 3°³¿ù) À̳»¿¡ ¹«»óÀ¸·Î ±³È¯Çص帳´Ï´Ù.

4. »óǰÀÇ ºÒ·®¿¡ ÀÇÇÑ ¹Ýǰ, ±³È¯, A/S, ȯºÒ, ǰÁúº¸Áõ ¹× ÇÇÇØº¸»ó µî¿¡ °üÇÑ »çÇ×Àº ¼ÒºñÀÚºÐÀïÇØ°á±âÁØ (°øÁ¤°Å·¡À§¿øÈ¸ °í½Ã)¿¡ µû¶ó ¹ÞÀ¸½Ç ¼ö ÀÖ½À´Ï´Ù.

5. ´ë±Ý ȯºÒ ¹× ȯºÒ Áö¿¬¿¡ µû¸¥ ¹è»ó±Ý Áö±Þ Á¶°Ç, ÀýÂ÷ µîÀº ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ µû¶ó ó¸®ÇÕ´Ï´Ù.

¹Ýǰ±³È¯ ºÒ°¡ ¾È³»

1. ¹Ýǰ¿äû ±â°£ÀÌ Áö³µÀ» °æ¿ì
2. ¼ÒºñÀÚ¿¡°Ô Ã¥ÀÓÀÌ ÀÖ´Â »çÀ¯·Î »óǰÀÌ ÈÑ¼ÕµÈ °æ¿ì.
3. ¼ÒºñÀÚÀÇ »ç¿ë ¶Ç´Â ÀϺΠ¼Òºñ·Î »óǰÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
4. ½Ã°£ÀÌ Áö³ª ´Ù½Ã ÆÇ¸ÅÇϱ⠰ï¶õÇÒ Á¤µµ·Î »óǰÀÇ °¡Ä¡°¡ ÇöÀúÈ÷ °¨¼ÒÇÑ °æ¿ì
5. ºñ´Ò µîÀ¸·Î Æ÷ÀåµÇ¾î ÀÖ´Â »óǰÀÇ Æ÷ÀåÀ̳ª ºÀÀÎ ¶óº§ÀÌ ÈѼյÆÀ» °æ¿ì
6. º¹Á¦°¡ °¡´ÉÇÑ »óǰÀÇ Æ÷ÀåÀ» ÈѼÕÇÑ °æ¿ì(À½¹Ý, DVD, ¼ÒÇÁÆ®¿þ¾î µî)
7. ÀÎ¼â ¹× °í°´ ¿äû¿¡ ÀÇÇÑ ÁÖ¹®Á¦ÀÛ »óǰÀÏ °æ¿ì
8. ÀüÀÚ»ó°Å·¡ µî¿¡¼­ÀÇ ¼ÒºñÀÚ º¸È£¿¡ °üÇÑ ¹ý·ü¿¡ ÀÇÇÑ ¹Ýǰ±ÔÁ¤ÀÌ ÆÇ¸ÅÀÚ°¡ ÁöÁ¤ÇÑ ¹ÝǰÁ¶°Çº¸´Ù ¿ì¼±ÇÕ´Ï´Ù.
»óǰº° ±³È¯/¹ÝǰºÒ°¡ »çÇ×
ÀÇ·ù/ÀâÈ­ ¡¤ »óǰ »óŰ¡ ¿ÂÀüÄ¡ ¸øÇÑ °æ¿ì¡¤¼¼Å¹À» Ç߰ųª ¼ö¼±ÇßÀ» °æ¿ì
¼ÒÇÁÆ®¿þ¾î ¡¤ CD, DVD, VCD, VIDEO Tape µî ¹Ú½º Æ÷ÀåÀ» Á¦°ÅÇ߰ųª ¹ÙÄڵ尡 ¼Õ»óµÈ °æ¿ì
¡¤ ÀåÂø ¶Ç´Â ¿î¿µÃ¼Á¦ µîÀ» ¼³Ä¡ÇßÀ» °æ¿ì
½ºÆ÷Ã÷ ¡¤ »ç¿ë ÈçÀûÀÌ ÀÖ´Â °æ¿ì
°¡±¸/ÀÎÅ׸®¾î ¡¤ ÁÖ¹® Á¦ÀÛÀÇ °æ¿ì ½ÇÃø ÈÄ Á¦ÀÛ ÁßÀÏ °æ¿ì
½Äǰ ¡¤ ¹ß¼Û°ú µ¿½Ã¿¡ »óǰÀÇ ÈѼÕÀÌ ÁøÇàµÇ´Â °æ¿ì
¾Ç±â/À½Ç⿵»ó±â±â ¡¤ »ç¿ë ÈçÀûÀ̳ª ¼³Ä¡¸¦ ÇÑ °æ¿ì
¡¤ ºÎǰÀÌ ¸Á½ÇµÇ¾ú°Å³ª ÀÓÀÇ·Î Å»Âø½ÃÄ×À» °æ¿ì